Trying to get a second post in here before the month is over.
First up is a quilt that was a new flimsy 10 years ago. This was my Barrister's SAL quilt, hosted by Randy at Barrister's Block blog. It is made entirely from men's thrift store shirts, right down to the binding, that I attached after taking this photo, but haven't stitched down yet.
Randy did photo tutorials for each block on her blog. I have a page under my header photo that includes links to all of the tutorials.
This was quilted by check, utilizing my usual machine quilter who only lives a couple of miles away, and does an incredible job. Below are two close-ups. It is a good thing my quilter likes to do sampler quilts, because there were 63 blocks in this quilt.
Aside from her talent in quilting, I really appreciate that she gets my style, and when I tell her what I think I want, she will share any ideas that come to her that she thinks might be an improvement, and together we make the final decision. I never pick up a finished quilt and find she didn't listen to what I wanted.
Next up is the churn dash top--finally assembled, mostly. This is from Chooky's Churn Dash SAL last summer (well, summer here in the states).
The blue fabric pinned on the right is what I have chosen for the border, but I am waiting for DD#1 to indicate how large she needs this to be, so I know how wide to cut the borders. I really enjoyed making this quilt. It is fun to make blocks this size and build a quilt relatively quickly. And I still got to throw a few random 1" and 3" Churn Dash blocks in the centers.
Then we have a quilt for which I can take no credit. Well, okay--I chose the setting fabrics and layout, and sewed it all together. But all of the blocks were made by Karen B., formerly of Log Cabin Quilter blog.
I received a "care package" from her many years ago that contained fabrics and projects that had lost their appeal for her. The center block and four surrounding stars were from one project, and the 8 outer stars were from another. They all played together nicely, and the center of the quilt came together quickly. But I stalled a long time (years) on the borders. I finally took a trip over the mountain to my friend Fran, at her quilt shop (Village Dry Goods), and we narrowed it down to this subtle paisley from a Pam Buda line. I didn't want anything that would pull your eye away from the center, but also didn't want a solid. I stitched that border on the very next day. I think this one will be quilted by check as well. It is too small for a queen bed, but it will fit nicely on the full size bed in the loft spare room.The floral fabrics were sent to me by a dear blog friend many years ago. They are from a Kansas Troubles line. I had waited to find a quilt pattern that would let them shine, but not just be made of large squares. When I saw a Moda Love quilt on Annie's blog back in 2017, it just spoke to me, and I printed her photo from her blog, writing notes all over it as to which fabric I wanted where. I pulled other matching fabrics from my KT stash, cut everything to size, and pinned them together in numbered groups. I even placed right sides together of the fabrics that would be making HSTs. I packed all this in a tote and took it with me to two retreats in a row (2019 and 2020--just before COVID), without ever getting to it.
I need someone to explain to me how the mountains are reflected in the flooded field, when the field is about 5 miles away from the mountain. Just puzzled by the science here.